The Problem With Phones on Set
NDAs Don't Prevent Leaks
An NDA gives you legal protection after something goes wrong, but it does not stop anyone from filming in the first place. A casting reveal, an unfinished scene, or a costume can be captured and shared in seconds, long before a production has a chance to respond.
Screenings Are a Piracy Risk
Advance test screenings, press previews, and internal focus groups put unreleased footage in a room full of cameras. A single recording from the auditorium can undo an entire release strategy.
A Closed Set Should Stay Closed
Talent and creators work differently when they know uncontrolled cameras are present. It changes behavior, limits risk-taking, and exposes unreleased IP - on set, on the red carpet, and in the talent lounge.
Before The Internet's lockable phone pouches let cast, crew, and attendees keep custody of their own phones while every camera and microphone in the room stays sealed. Pouches lock in seconds and open only with the Unlocker, covering the full production cycle - closed sets, advance screenings, premieres, and afterparties - with no check-in table and no chain-of-custody problem for your security team.
Phones away. Creativity flows. Your process is secure.
Lower risk of leaks across the full course of production, from prep through wrap and pickups.
What Changes When Phones Are Locked
Fewer Leaks: if a phone cannot access its camera, unreleased footage and production details stay locked.
Anti-Piracy Screenings: nothing gets recorded or streamed out of a test screening or press preview.
Better Focus: fewer distractions mean cast and crew stay engaged with what is happening on set.
Creative Freedom: talent can work knowing the set is not surrounded by potential cameras.
Simple On-Set Process: phones are secured at check-in and unlocked at designated points, practical across a full production day.
Purchasing and Leasing Options
Production Lease
Pouches and unlockers arrive before your first day of photography and stay through wrap. Priced by unit count and production length, not by the day, so hiatus weeks, weather days, and holds do not cost you extra.
Re-shoots and pickups are included, loss and damage are covered, return shipping is included, and the bill goes to the production rather than the studio.
Outright Purchase
$25 a pouch, yours permanently. Buy the fleet once and deploy it across every future production.
It becomes a capitalized asset instead of a recurring production expense, and pays for itself inside a couple of shoots.
Affiliate Partner
As a rental studio, stage, or equipment house, list phone-free security as an available service and take a percentage of every production that books through you.
Commission runs 10-20%, co-branding is available, payouts are quarterly, and pouches carry tracked codes.